7 pieces of classical music inspired by walking

12 July 2019, 11:00 | Updated: 16 July 2019, 15:59

From sweet-sounding duets to magnificent concertos, here are seven classical works inspired by hilly hikes and leisurely strolls.

1. The Hebrides (Fingal’s Cave), Mendelssohn

Composed in 1830, this spectacular tone poem written by Felix Mendelssohn was inspired by his travels to the British Isles – particularly the island of Staffa on Scotland’s west coast, which is home to Fingal’s Cave. Written in B minor and originally titled Die einsame Insel (The Lonely Island), the concert overture is intended to set a scene for the cave’s unusual echoes. It consists of two main themes – the opening notes are initially played only by the violas, cellos and bassoons, suggesting solitude, while the second theme depicts the sea.

Mendelssohn - Hebrides Overture (Fingal's Cave) (Abbado)

2. Seven Days Walking, Einaudi

Earlier this year, Italian pianist and composer Ludovico Einaudi unveiled his ambitious plan to release seven albums in seven months. He was inspired to create the collection, titled Seven Days Walking, after a walk in the Alps. It's signature Einaudi in terms of sound, and each selection of pieces portrays a different aspect of his wintery wander. Dreamy moments like a reflection of the moon on snow, and tracks left behind in the snow by foxes, are imagined in the music.

Ludovico Einaudi - Seven Days Walking: Day 1 A432Hz

3. In the Hall of the Mountain King, Grieg

This orchestral masterpiece was penned in 1875 by Edvard Grieg as incidental music for Henrik Ibsen’s 1867 fantasy play, Peer Gynt. Enduringly popular, its stomping main theme – played by cellos, double basses and bassoons – is instantly recognisable and tells the story of the play’s lead character, Peer Gynt, as he sets foot in the mountain troll’s hall. Written in the key of B minor, this epic piece builds tension by starting in a slow tempo and gradually speeds up to a prestissimo finale.

In the Hall of the Mountain King - Kevin MacLeod [Edvard Grieg] 2 HOURS

4. Beethoven’s ‘Pastoral’ Symphony

A self-confessed nature fan and lover of trees, Ludwig van Beethoven liked to go walking almost daily – and many of his best ideas came to him during walks in the country, including his 'pastoral' Symphony No. 6. Completed in 1808, its five movements contain programmatic content intended to depict the rural surroundings Beethoven encountered on his walks – including a scene by a brook and a merry gathering of locals.

(FULL) Beethoven Symphony No.6 "Pastorale" And Egmont Overture Op.68 - London Philarmonic Orchestra

5. ‘The Lark Ascending’, Vaughan Williams

This mesmerising piece of music was inspired by George Meredith’s poem of the same name about a skylark taking flight, and its song that could be heard during Meredith’s frequent strolls. Although Vaughan Williams wrote his first musical adaptation of the work in 1914 for violin and piano, he re-scored it in 1920 for solo violin and orchestra. This second version has become a classical music favourite and was voted No. 1 in this year’s Classic FM Hall of Fame.

Vaughan Williams ~ The Lark Ascending

6. Vivaldi’s The Four Seasons

Written in 1723, this majestic concerto is surely one of Antonio Vivaldi’s most famous programmatic works and each of its four movements corresponds to a different season. The Baroque composer liked to observe his surroundings while walking and translated this into beautiful music – highlights in The Four Seasons include high-pitched plucking from the strings to depict icy rain, while violas portray a barking dog in ‘Spring’.

Four Seasons ~ Vivaldi

7. Delibes’ Flower Duet (from Lakmé)

Premiering in Paris in 1883, this gorgeous duet for soprano and mezzo-soprano is taken from Léo Delibes’ stunning three-part opera, Lakmé. The duet takes place in act one as lead character, Lakmé, and her servant, Mallika, wander through the great outdoors and gather flowers by a river.

Flower duet - Anna Netrebko & Elina Garanca (Lakmé de Delibes)

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