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From 'Nessun Dorma' at the 1994 World Cup to Ravel's Bolero at the most memorable ice dancing final in history, here are the most memorable times classical music was used in sport.
Classical music and sport have enjoyed a long and happy marriage since FA Cup Final audiences and players began singing ‘Abide With Me’ in 1927. Since then, classical music has played a key part in some of the most memorable sporting moments. Here are some of our favourites.
Handel’s coronation anthem, adapted by English composer Tony Britten, has become one of the most recognisable pieces of classical music in football – thanks to the Champions League. It became the theme tune to the league’s TV coverage in 1992, and its thrilling opening has made sure it’s remained there ever since.
For over 15 years, Sunderland A.F.C. have come onto the pitch at home games to Prokofiev’s dark, vibey theme from Romeo and Juliet – also known as Alan Sugar’s entrance music in The Apprentice.
An aria forever tied to the genius of Pavarotti, ‘Nessun Dorma’ was first sung by The Three Tenors – made up of Luciano Pavarotti, Plácido Domingo and José Carreras – on the eve of the World Cup in 1990. Their performance was so momentous that they were asked to do it at the official FIFA World Cup ceremony in 1994.
Mozart had a sense of humour too, as proven by A Musical Joke, which gently pokes fun at bad performers. Why it came to be chosen as the theme music for TV coverage of the Horse of the Year show is a bit of a mystery, but it worked remarkably well as the overture to some magnificent show jumping.
In a perfect marriage of sport and music, Boléro accompanied the most memorable ice dancing final in Olympic history, in which Torvill and Dean became the highest scoring figure skaters of all time at the Sarajevo 1984 Winter Olympics.
Bizet’s barnstorming orchestral prelude is heard after Formula 1 races, during the champagne-spraying podium celebration. It’s an old ritual, accompanied by a cracker of a piece.
Football’s most famous anthem was originally a Rodgers and Hammerstein show tune, sung by Nettie Fowler in Carousel. But to Liverpool F.C., it’s an immovable part of the club’s identity, which developed an even deeper meaning after the Hillsborough disaster of 1989.
One of very few pieces of music written specifically for a sporting event, Williams’ Summon the Heroes premiered at the 1996 Summer Olympics. The brassy, victorious tune was heard at the opening ceremony in Atlanta, Georgia.
Since 1927, the first and last verses of ‘Abide With Me’ are traditionally sung at the FA Cup Final, about 15 minutes before kick-off. Composed in 1861 by Henry Monk, the popular hymn ends ‘in life, in death, O Lord, abide with me’, confirming that football is – in case you ever doubted it – a matter of life and death.