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6 September 2022, 10:10
Joyce DiDonato and El Sistema Greece
Joyce DiDonato has performed with the world’s biggest orchestras and opera companies, and her interpretations of Mozart and Handel are peerless. Here’s what you need to know...
Joyce DiDonato is a multi Grammy Award-winning operatic lyric-coloratura mezzo-soprano.
Born in Kansas into an Irish-American family, DiDonato studied vocals at Wichita State University and graduated in 1992.
She won recognition at Houston Opera’s Eleanor McCollum Competition and Metropolitan Opera National Council Auditions early in her career, before taking out second prize in the prestigious Operalia competition in 1998.
Her operatic career since has seen her perform in the very best opera – from Mozart’s Don Giovanni to Rossini’s The Barber of Seville – and at the very best venues around the world, including the Carnegie, Royal Albert and Wigmore halls.
Read more: Joyce DiDonato is an absolute goddess and here are all the reasons why
Among other prizes, the incredible mezzo has won two Grammy Awards – ‘Best Classical Vocal Solo’ for Diva Divo in 2011 and ‘Best Classical Solo Vocal Album’ in 2015 for Joyce & Tony – Live From Wigmore Hall – and been nominated for seven more.
In 2018 she won the Olivier Award for Outstanding Achievement in Opera.
Joyce Didonato has a raft of fine recordings to her name, with her recent release of Les Troyens (which won an International Opera Award in the ‘Recording’ category), and the Grammy Award-winning discs Diva, Divo and Joyce & Tony – Live From Wigmore Hall, being among those that really stand out.
Joyce DiDonato and Antonio Pappano's advice for their 18-year-old self
As a coloratura mezzo (as opposed to a “dramatic” mezzo), many of DiDonato’s discs revolve around Baroque and core Classical repertoire, such as works by Handel, Mozart, and Rossini.
But that’s not to say there aren’t departures – there’s the award-winning Berlioz Les Troyens recording we’ve already mentioned, and DiDonato’s Songplay collection, which incorporates Ellington and Rodgers amidst the core classical selections.
“Lyric-coloratura mezzo-soprano” refers to the range – i.e. the more comfortable or natural – pitches of DiDonato’s singing voice, as well as the quality.
“Lyric” indicates a depth to the voice, whereas a “coloratura” singer demonstrates the flexibility and agility that’s particularly suited to Baroque and classical opera repertoire. This is in contrast to a "dramatic" voice, which may be more suited to Romantic operas.
Visit joycedidonato.com to keep an eye on DiDonato’s concerts and find out more.