Video Game Music - 15 great computer game scores

1. The Final Fantasy Series, by Nobuo Uematsu

Japanese video game composer Nobuo Uematsu is probably the world's most well-known, and something of a legend in his own country thanks to his stirring scores for the long-running Final Fantasy series. Through several entries in the series, Uematsu's scores are a constant as players battle their way through dangerous and enchanted worlds. The scores have become so well-loved that concerts of Uematsu's Final Fantasy works have been sell-out successes across the world.

2. The Legend of Zelda, by Koji Kondo

A lush fantasy and a key title for Nintendo, the various incarnations of The Legend of Zelda have become classics. The music from this game has become so popular that it's been expanded and developed into a four-movement orchestral symphony called 'Symphony of the Godesses'. Composer Koji Kondo has worked for Nintendo since 1986 and is the mastermind behind many of their most famous titles.

3. Uncharted, by Greg Edmonson

We recommend 'Nate's Theme' from this action adventure game. With a brass chorale effect and some thunderous drumming, composer Greg Edmonson brings a thoroughly cinematic dynamic to this short work. Uncharted and its various sequels have won several awards and sold upwards of 17 million copies.

4. Tetris - Russian folk song?

Classics don't come much bigger than this in video games, but it might surprise you to learn that it started life as a Russian folk song called Korobeiniki from the 19th century. Thanks to its tinny appearance in Nintendo's 1989 GameBoy classic, it's become affectionately known as 'The Tetris Song'. The Royal Philharmonic Orchestra have recorded a jaunty little version of this one that's well worth exploring. Well, we couldn't leave this one out, could we?

5. Killzone 2, by Joris De Man

Composed by Joris De Man, this battle-hardened epic of a soundtrack was recorded at the legendary Abbey Road Studios. A high-watermark in action-adventure video game music, Joris De Man's score is liable to make even the most timid person believe they're on a special ops mission.

6. Enslaved: Journey to the West, by Nitin Sawhney

If anyone needed proof of video games having the same stature as movies, Enslaved provided it. Written by The Beach's Alex Garland, starring Lord Of The Rings actor Andy Serkis and with a soundtrack from Nitin Sawhney, this adventure epic was a blockbuster in 2010. Sawhney's score draws on a rich variety of sources and lets rip with a full orchestral arrangement.

7. Chrono Trigger - Concert Hall Favourite?

Yasunori Mitsuda reportedly worked so hard on the soundtrack for Chrono Trigger that he frequently passed out and eventually gave himself a stomach ulcer and was hospitalised. Now that's dedication. The music for Chrono Trigger and the follow-up, Chrono Cross, have both enjoyed popularity in the concert hall as well as on the screen. With world music influences and almost Wagnerian dramatics, this is intense stuff.

8. The Elder Scrolls V: Skyrim, by Jeremy Soule

This swords-and-dragons epic has a suitably epic soundtrack, provided by Jeremy Soule. For the recordings, Soule enlisted a 30-strong choir of barbarian voices singing in the game's own invented language. It's perhaps no surprise to learn that Soule is known as 'the John Williams of video game soundtracks' - this is symphonic, tuneful and exciting, and it even made the Classic FM Hall of Fame!

9. Kingdom Hearts, by Yoko Shimomura

Yoko Shimomura is notable not only for being one of the only female video game composers, but also for the lightness of the music. The game itself is a role-playing adventure (a co-production between Disney and Sqauresoft), and feature a voice cast including Haley Joel Osment and Hayden Panettiere.

10. Medal of Honor: composer Michael Giacchino

Before he was a Hollywood composer in demand for his atmospheric scores for JJ Abrams, Michael Giacchino was hired to record a suitably cinematic score for Medal of Honor, which featured a storyline created by none other than Steven Spielberg. As you might expect for a game that offers a realistic depiction of World War II, the main theme is part respectful anthem, part militaristic march.

11. Civilisation IV: composer Christopher Tin

Christopher Tin's theme from the strategy game Civilisation IV was the first video game soundtrack to win a Grammy award. Recorded with the Royal Philharmonic Orchestra and the Soweto Gospel Choir, it has the same accessibility and verve of Karl Jenkins.

12. Hitman 2 – Silent Assassin: composer Jesper Kyd

With a full orchestra and a Latin-singing chorus, Danish composer Jesper Kyd's expansive soundtrack for Hitman 2 could easily be mistaken for a Hollywood score. He also wangles in some light electronics for many of his compositions, so expect to hear something slightly different every time. Kyd also won a BAFTA for the soundtrack to Hitman 2's sequel, Hitman: Contracts.

13. LA Noire, by Simon Hale

Taking a smooth, late-night jazz bar vibe and applying it to a video game might not sound like a natural move, but British composer Simon Hale's soundtrack for LA Noire does exactly that. And it clearly works, because Hale was the most recent recipient of the video games BAFTA.

14. Halo - most popular video game soundtrack?

The Halo franchise is one of the most popular in video games history (as the queue in the photo suggests) and Martin O'Donnell's soundtrack is suitably blockbusting as well. In fact, the original soundtrack is still the best-selling video game soundtrack of all time. Try the main theme - it's gently choral with some serious orchestral clout (and electric guitar!).

15. Metal Gear Solid: composer Harry Gregson-Williams

Harry Gregson-Williams made his name as a film and TV composer before dipping his toes in the world of video games music. Films like Enemy of the State and Shrek gave him a suitably cinematic background before he started work on the legendary Metal Gear Solid games. With electronic effects over an orchestral bed, Gregson-Williams perfectly captures the espionage feel of the game.