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28 October 2015, 12:43 | Updated: 4 January 2017, 10:16
It’s one of the greatest orchestras in the world – and we’re dedicating this week to all things Berlin Phil. Here are just some of the reasons we think this orchestra is the bee’s knees.
It has one of the best concert halls in the world
The stunning Berlin Philharmonie, built in the 1960s, is one of the greatest concert halls in the world.
Its acoustics are legendary – and what’s more, it’s address is Herbert-von-Karajan Street, which we are very much on board with.
Choosing a conductor for the Berlin Phil is like electing a pope
When a new Pope needs to be elected, the members of the papal conclave lock themselves in the Sistine Chapel until they have reached a majority.
In much the same way, when the time comes to appoint a new conductor of the Berlin Phil, the players lock themselves into a room and vote until they, too reach a majority.
Digital concert hall
Wouldn’t it be nice if the Berlin Philharmonic could squeeze into your living room and play just for you?
Or if they could keep you company on your morning commute?
The clever people at the Berlin Phil thought so too – and created the Digital Concert Hall, so that classical music fans around the world can tune in to their live concerts and see great performances from their archive.
Can you hutch up to make room for the second violins please thanks?
And as a special offer for Classic FM listeners, you can try the Digital concert hall free for 48 hours with the code CLASSICFM (valid until 30 November)
They know how to carry off a great prank
The cheeky Berlin Phil musicians decided to play a trick on their concertmaster (or leader of the first violins) at a rehearsal for Prokofiev’s First Violin Concerto.
Instead of playing the Prokofiev, the orchestra began playing the opening of the Mendelssohn Concerto.
Without missing a beat or indeed batting an eyelid, the phenomenally cool concertmaster, Daishin Kashimoto just switches to the Mendelssohn instead. Click on the image below to watch the whole thing.
*gapes in awe*
The legendary Herbert von Karajan was the orchestra’s longest-serving conductor
The great Austrian conductor was at the helm of the Berlin Phil for 35 years.
Under him the orchestra made a huge number of recordings, toured around the world and became the world-famous ensemble we know today.
Also, this is an excuse to bring out this classic joke:
They do the best outdoor concerts
The Waldbühne in Berlin is a fairy tale-level enchanting performance venue in woodland near the city.
It holds over 22,000 people and has become one of the city’s best-loved outdoor venues.
This Friday, we’re broadcasting one of the Berlin Philharmonic’s concerts from the Waldbühne, including some film favourites and Grieg’s Piano Concerto performed by Lang Lang.
You can hangout with the Berlin Phil’s horn section
Sarah Willis, one of the orchestra's horn players, hosts regular ‘Horn hangouts’ on her website.
There’s coffee, cake and plenty of geeky horn jokes. If anyone needs us, we’ll be right here binge watching all past episodes.
They sound flipping fantastic
And finally, let’s just take a moment to appreciate why the Berlin Philharmonic has a reputation as one of the greatest orchestras in the world.
Join us for the Full Works Concert every evening this week – and catch up on Listen Again for seven days afterwards – to enjoy that famous, fantastic Berlin Philharmonic sound.
Plus, you can win a set of recordings by the orchestra – enter here now.
One of the greatest conductors of the 20th century, von Karajan ruled over the Berlin Philharmonic and European classical music for more than three decades. Celebrated for his recordings of Beethoven, Mozart and Mahler symphonies, he sold some 200 million albums.
Herbert von Karajan was born Heribert Ritter von Karajan on 5 April 1908 to a Greek father and Slovene mother. Through her, he was related to the composer, Hugo Wolf. Young Herbert was a child prodigy at the piano.
From 1916 to 1926, von Karajan studied at the Mozarteum in Salzburg, where he was encouraged to concentrate on conducting by his teacher. In 1929, he conducted a production of Richard Strauss's opera, 'Salome'.
In 1933 von Karajan made his conducting debut at the Salzburg Festival with a scene from Gounod's opera, 'Faust'. It was also in 1933 that von Karajan became a member of the Nazi party, for which he would later be criticised.
In Salzburg in 1934, von Karajan led the Vienna Philharmonic for the first time, and from 1934 to 1941, he was engaged to conduct operatic and symphony orchestra concerts at the Theater Aachen.
Karajan's career was given a significant boost in 1935 when he was appointed Germany's youngest Generalmusikdirektor and performed as a guest conductor in Bucharest, Brussels, Stockholm, Amsterdam and Paris. In 1937 he made his debut with the Berlin Philharmonic and the Berlin State Opera, conducting Beethoven's only opera, 'Fidelio'.
In 1938, for his performance of 'Tristan und Isolde', von Karajan was hailed by a Berlin critic as 'Das Wunder Karajan' (the Karajan miracle). The critic asserted that von Karajan's 'success with Wagner's demanding work...sets himself alongside Furtwängler and Victor de Sabata, the greatest opera conductors in Germany at the present time'.
Receiving a contract with the Deutsche Grammophon record label that same year, von Karajan made the first of hundreds of recordings, conducting the Staatskapelle Berlin in the overture to 'The Magic Flute'.
By 1944, von Karajan was, in his own words, losing favor with the Nazi leadership, but he still conducted concerts in wartime Berlin. In the closing stages of the war, he and his then wife Anita - who was a quarter Jewish - fled Germany for Milan. He was discharged by the Austrian denazification examining board on 18 March 1946 and resumed his conducting career shortly afterwards.
In 1946, von Karajan gave his first post-war concert in Vienna with the Vienna Philharmonic, but he was banned from further conducting by the Soviet occupation because of his previous Nazi party membership. On 28 October 1947, he gave his first public concert following the lifting of the ban. With the Vienna Philharmonic, he recorded Johannes Brahms' 'A German Requiem'.
In 1949, von Karajan became artistic director of the Gesellschaft der Musikfreunde, Vienna. He also conducted at La Scala in Milan. His most prominent activity at this time was recording with the newly formed Philharmonia Orchestra in London, helping to build them into one of the world's finest. Starting from this year, von Karajan began his lifelong attendance at the Lucerne Festival.
In 1955 he was appointed music director for life of the Berlin Philharmonic as successor to Furtwängler. From 1957 to 1964 he was artistic director of the Vienna State Opera. Von Karajan was closely involved with the Vienna Philharmonic and the Salzburg Festival, where he initiated the Easter Festival, which would remain tied to the Berlin Philharmonic's Music Director after his tenure.
On 6 October 1958, Herbert von Karajan married his third wife, the French model Eliette Mouret. They had two daughters, Isabel and Arabel.
Von Karajan continued to perform, conduct and record prolifically, mainly with the Berlin Philharmonic and the Vienna Philharmonic. He was the recipient of multiple honours and awards. He became a Grand Officer of the Order of Merit of the Italian Republic on 17 May 1960 and in 1961, he received the Austrian Medal for Science and Art. He also received the Grand Merit Cross of the Order of Merit of the Federal Republic of Germany.
In his latter years, Karajan suffered from heart problems as well as undergoing surgery on his back. He increasingly came into conflict with the Berlin Philharmonic for his old-fashioned dictatorial style of leadership. He died of a heart attack on 16 July 1989 at the age of 81.
A practitioner of Zen Buddhism, Karajan believed strongly in reincarnation and said that he would like to be reborn as an eagle so he could soar over his beloved Alps.