Skip to Content
Catherine Bott picks some of the most important, interesting and entertaining overtures, which have preceded the curtain rising on operas, plays and even movies.
Italian overtures often detached from their operas and played as independent concert pieces became important to the early history of the symphony. Such was the case for Mozart’s overture to his opera, The Abduction from the Seraglio. Similar to the later Magic Flute overture, this one opens quietly and is then interrupted by loud passages similar to the Turkish military band music later in the opera.
Powered by Facebook