The best movie soundtracks of 2016... so far

Classic FM's resident movie buff Andrew Collins chooses some of the outstanding film scores of the year.

Eddie Redmayne in The Danish Girl

This year has been a garden of earthly delights when it comes to film soundtracks. Bear in mind, I'm not talking about the best films of the year, rather the best scores (of course, the two aren't mutually exclusive).

Here are some I'd say you really should listen out for:

Batman v. Superman: Dawn of Justice

With a musical collaboration between A-lister Hans Zimmer and Dutch composer/producer Tom Holkenborg, better known as Junkie XL, this is a film I highly recommend you listen to. One for the 'Good music, shame about the movie' club.

The Jungle Book

Bursting with majesty and wonder, a fine score from John Debney. The most harmonious collaboration yet from Debney and director Jon Favreau.

Hear Andrew's verdict:

The Danish Girl

A fine score from Alexandre Desplat. It suits a story that touches on love and pain.

Spotlight

Howard Shore's understated but tense soundtrack didn't clinch Best Score anywhere but it's a worthy contender for one of our favourites of 2016 so far. Beautiful and intelligent music throughout.

Hear Andrew's verdict:

The Revenant

This soundtrack was deemed ineligible for an Oscar because it was 'assembled from the music of more than one composer.' A very strange decision. Ryuichi Sakamoto's contribution really speaks of the wide open spaces of South Dakota and the snowy temperatures.

Hear Andrew's verdict:

The Hateful Eight

Winner of this year's Academy Award for Music, veteran Italian composer Ennio Morricone became the oldest ever recipient at 87 of an Oscar for his gorgeously mysterious score.

Hear Andrew's verdict:

Kung Fu Panda 3

Hans Zimmer has form in the world of animation and this really is a delightful score.

Hear Andrew's verdict:

Anomalisa

Charlie Kaufmann's animated social drama is awkward, disturbing and deeply sad. One of my favourite current composers, Carter Burwell, provided the mournful, captivating score.

Hail Caesar

The Coen Brothers' film is an affectionate tribute to Hollywood in the 1950s and the score is no less affectionate. This is right up there with their regulator collaborator Carter Burwell's best work

Hear Andrew's verdict:

High Rise

Clint Mansell's amazing score is a thing of variety and wonder. He's a world class composer and this is among his most subtle work.

Hear Andrew's verdict:

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