Stock images make musicians look STUPID.
Despite Luigi Dallapiccola’s reputation as an exacting 12-tone composer, there’s nothing to be frightened of here.
Repertoire: Orchestral Works, Vol.2
Artists: Gillian Keith (soprano), Paul Watkins (cello), BBC Philharmonic/Gianandrea Noseda
Label: Chandos CHAN 10561
The Partita (1932) occupies the dimensions of a symphony, complete with Mahler-like song finale, as Dallapiccola cunningly reworks material from the Italian Baroque, enriching his sources with lavish re-harmonisations and orchestration. The song cycle Quattro Liriche (1964), too, is compelling. His Dialoghi (1960) and Three Questions with Two Answers (1963) are tougher nuts, but their graceful lyricism is powerfully captured by Noseda’s immaculately shaped phrases.