Beauty and the Beast - Overture Alan Menken Download 'Beauty and the Beast - Overture' on iTunes
Every year the Vienna Philharmonic greets the new year with its annual celebration of the music of the Strauss family. And every year, the orchestra lets its collective hair down with one of the more bizarre pieces in the Viennese canon. Here are some of our favourites…
The thunder and lightning effects in this Polka are not exactly realistic, but full marks to the composer – and percussion section – for enthusiasm.
Josef Strauss clearly felt he’d exploited all the possibilities of the standard orchestra – so in the ‘Fireproof’ Polka, he introduced a new instrument… anvils. A part played – again, enthusiastically – here by Mariss Jansons.
Today’s commuters might find it hard to credit, but in the 19th century, composers were so inspired by trains, they wrote music in homage to the new mode of transport.
And if that blew your whistle, try this ‘Railway Joy Waltz’ from Johann Strauss.
Who needs bows anyway?
Listen out for the crack of the whip – that percussionist is having a great time.
The Strauss family wrote music for society dances – and of course no dance would be complete without the gossips and chatterboxes. This Polka is dedicated to them – and comes complete with chattering percussion effects.
Strauss II showing he’s up on his current affairs, with this Polka celebrating the latest scientific developments:
So many questions: who was Ernst? Why Venice? But, most pressingly, what’s with the soft toys?
Like Haydn’s ‘Surprise’ Symphony, the secret of this piece is sort of given away in the title… listen out for the big finish.