On Air Now
Smooth Classics with Margherita Taylor 10pm - 1am
Captivating horn entry in his third symphony. Muscular.
That unprepared half-diminished seventh chord is so sexy.
An alluring glissando at the very beginning. Fitttt.
A sultry false relation on the final cadence in this motet.
A ravishing climax in the middle of the exposition.
Silky, irresistible vocal lines from Don Giovanni.
Every minute of Stravinsky's seductive ballet suite.
Flirtatious harmony and teasing figures in the Prelude in Db Op. 28/15.
Byrd holding off the harmonic release at the end of his Agnus Dei. Pure, ecstatic agony.