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12 January 2017, 13:40
We're pretty sure this is what heaven sounds like... Here's Thomas Tallis' choral epic in a stunning 40-cello arrangement for the Royal Northern College of Music's Strings Festival.
English composer Thomas Tallis composed this exceptional piece around 1570. Not content with trios, quartets or quintets of voices, in Spem in alium Tallis took the already elaborate style of Renaissance polyphony and wrote a motet for 40 independent voices.
The motet has moments of stillness with only a few parts singing (or in this case playing) the intertwining lines, with several rich, almost overpowering tutti passages with all 40 voices sounding at the same time.
This week we were in Manchester to hear this masterpiece. But it wasn't the usual voices, instead it was performed by 40 cellists (all students at the conservatoire), arranged and conducted by James Heathcote.
We reckon the blend and sonority of 40 independent cello lines, with the layers and harmonic clashes of Tallis' Renaissance writing might just be one of the most beautiful things you could ever hear.
Spem in alium at RNCM
40 cellos playing Thomas Tallis' Renaissance masterpiece
If you fancy experiencing this live (and for free) in Manchester this weekend, there's more about the RNCM's Strings Festival here. There's also lots of other fantastic concerts, workshops, and demonstrations.
If you fancy the choral version, here it is (accompanied by a graphical score)
Many thanks to all the RNCM cellists involved (all 40 of them!)
Mario Castello Cordoba
Javier Escrihuela Gandia